Portraiture keeps me humble. It's simple and straightforward. There is nothing more interesting I can make up than the figure sitting right in front of me.
My opinions of which of my works are good are vastly different than other people's. There is one that I'm obsessed with but I swear... no one else has ever even commented on it. So I'm a bit shy to draw attention to it.
I've never been one to just do what I'm told. I don't say that necessarily with pride, it's just something that has gotten me in trouble before.
Being humble and sweet is the hardest thing you can do.
I come from a family of all women and one boy, my brother. We're all women and we're all precocious and opinionated and like to have fun and we always had friends in the house and we were always, like, half-naked.
Acting is secondary - I don't feel like it's going to stick around because it's not something I want to do forever. My art has always been my top priority and I have far more experience in that field than I do in film.
But I'm interested in the Barnes Collection in Philadelphia. I hear there are some of the worst Matisses there. I like seeing bad art by good artists. It's inspiring. I'm able to identify with them. It makes them real.
I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.
That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!
When you're literally carrying a child you can cut back on bad habits.