recording Zitate

For the roar of Godzilla, I took out the lowest string of a contrabass and then ran a glove that had resin on it across the string. The different kinds of roars were created by playing the recording of the sound that I'd made at different speeds. Toho's sound engineers previously had tried to use the roars of many different animals for Godzilla's roar. They went to a zoo and recorded the roars of

many different mammals, but no matter how the sounds were manipulated, they seemed too much like the roars of each of the animals. The sound engineers also tried to alter the call of a night heron bird, but that also was not successful.

Living in a very dense area, you're conscious of how the people underneath live, and you have a certain feeling toward them – so much so that you'd rather live among them than with the business classes. In a historical sense, it might be related to an idea, but you write out of – well, I wouldn't call it indignation, but a kind of irritability that these people on top should be so contented,

so absolutely unaware of these other people, and so sure that their values are the right ones. I mean, there's a certain satisfaction in recording the people underneath, whose values are as sound as theirs, and a lot funnier, and a lot truer in a way. There's a certain overall satisfaction in kind of scooping up a shovelful of these people and dumping them in somebody's parlor.

There comes a stage, however, as the system becomes larger and larger, when the reception of all the information is impossible by reason of its sheer bulk. Either the recording channels cannot carry all the information, or the observer, presented with it all, is overwhelmed. When this occurs, what is he to do? The answer is clear: he must give up any ambition to know the whole system. His aim must

be to achieve a partial knowledge that, though partial over the whole, is none the less complete within itself, and is sufficient for his ultimate practical purpose