French Zitate

When the principle of hereditary dominion shall be extinguished in all the institutions of France; when government shall no longer be considered as property transmissible from sire to son, but as a trust committed for a limited time, and then to return to the people whence it came; as a burdensome duty to be discharged, and not as a reward to be abused; when a claim, any claim, to political power

by inheritance shall, in the estimation of the whole French people, be held as it now is by the whole people of the North American Union — then will be the time for contemplating the character of Lafayette, not merely in the events of his life, but in the full development of his intellectual conceptions, of his fervent aspirations, of the labors and perils and sacrifices of his long and eventful

career upon earth; and thenceforward, till the hour when the trump of the Archangel shall sound to announce that Time shall be no more, the name of Lafayette shall stand enrolled upon the annals of our race, high on the list of the pure and disinterested benefactors of mankind.

I made my examination in Berlin in 1915. And I must say also that Berlin was for me in another way very important. At the time there were all these new movements – 'Die Brücke'…… the 'Der Blaue Reiter', Walden of the 'Storm' Gallery. Then Kassierer who bought the Chagalls, the first Chagall's that were ever seen in Europe were there. And there was 'Die Brücke'. Rottluff, Heckel, and

Kirchner. You know we saw all that. Which was good. You see, Kassierer was then the man who bought the modern French painters. He had particularly Degas who I consider still today a very good painter, one of the best. But, anyway, in spite of my teaching my art was my concern. On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the

first salaries I received to go to Munich… So for the first time I saw the old masters, Rubens and all at the Alte Pinakothek.

I discovered soon that teaching has the handicap of retrospection. And that I don't believe in. So I started [at the w:Bauhaus in Dessau] instead a method of handling material with the material itself. So that was my main change. Whereas Itten before [Itten left the Bauhaus in 1923 and Albers followed him as art-teacher] had only spoken about the appearance, 'matiere' - (the French word) and I

said I would turn from 'matiere' - the outside - to the inside, to the capacity of the material, before the appearance. And that changed the attitude basically I think.

I had to perform in Béziers, In France, in a huge arena where they normally hold bullfights. There where a bunch of important people there, I was not that famous yet, so alot was riding on this performance, but the vibe was amazing. So a few songs into the set I yelled very enthusiastically ‘J’adore Béziers” Unfortunatly my French speech is not perfect so it sounded as J'adore baiser! The

public did not respond, so I thought, with the wind they probably did not understand it clearly, so alot louder I yelled J'ADORE BAISER!!!! And then a deadly silence. Afterwords someone asked me, ‘doe joe know vot you ave just told all of France?’ Sure, I told’em I love’em…. euh not really…man I was dying! But the boss from the French record label said, don’t worry about it, they

thought u where amazing, we will sell alot of records here.