When I am shooting a film, then everything goes soft focus. My family also complains that I don't give them time.
It was the roughest day of my career, my final day of shooting on 'Breaking Bad,' knowing that I will never be able to kind of zip on that skin again.
I've always been able to get into the box, but in the past, I'd been very rash in my finishing; I wasn't clear with what I was doing in the final third. When it came to shooting, I was very rushed. I wasn't hitting the ball cleanly.
I just got really into this one girl on Instagram and had her paint little pineapples on my nails during shooting.
When you're so busy shooting 12 hours a day, you just eat what someone sticks in front of you.
I got dumped off 'The Iron Lady' a month before they started shooting, and then they brought two new writers on. Then I was brought back on again. I'm just a bit of a rubber ball. I just bounce back.
Memorising my lines is actually something I do fairly well. I look at it a few times and it is pretty much there. When your shooting on TV, they do it in such a way that it is pretty easy.
I guess I'm used to TV where we don't really rehearse. You block it out, and then you just start shooting.
The experience of shooting a film is about the script, the captain of the ship who is the director, and the way they push their actors and teams to give their best. It's not about the language and the region.
While shooting for 'Kaatru Veliyidai,' I was living my childhood dream of working with my favourite director. It was surreal and thrilling at the same time.
