If they are going to nibble and try to go below the zone or off the plate a little bit, I want to try and get a pitch in the zone that I can do damage on.
Well, sometimes if I go out to dinner with my family, people will come up to me and put their hand across my plate for me to shake, sometimes when I have a bite of food in my mouth. I find this a bit disturbing.
Why did the earthquake and tsunami occur in Japan? Was it the act of an angry God? No, it was the result of the movement and collision of the earth's tectonic plates - a process driven by the earth's need to regulate its own internal temperature. Without the process that creates earthquake, our planet could not sustain life.
It's a very big mental game, all day leading up to warm-ups. You're not sure if your curveball will break, or will you be able to throw it over the plate? It's all negative thoughts going into the game.
If we get in an accident that's strong enough to break bones, it's going to break bones. What makes me a little bit higher risk is that if I break my right ankle again, I've got a bunch of screws and plates in there, and that would not be good.
Food is one part of the experience. And it has to be somewhere between 50 to 60 percent of the dining experience. But the rest counts as well: The mood, the atmosphere, the music, the feeling, the design, the harmony between what you have on the plate and what surrounds the plate.
I need to be performing. I need to be acting. I need to be designing a condo and ripping down walls and buying new plates and looking at fashion magazines. There always has to be some movement in the artistic department for me to not get really, really low.