I love great lyrics, and I love the way it could shape a tune into a very unpredictable one, and I also like taking a great melody and putting lyrics into it.
I am a compulsive worker. But I'm also a compulsive relaxer.
I don't only write about English literature; I also write about chaos theory and... ants. I can understand ants.
In novels in general - and also on the television - we do live in a world where bodies is what we are. We do not talk about the spirit or the soul, and there is a sense that we no longer talk about beliefs, either Freudian or Marxist.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
I began to work the stage and get the audience into it. I also learned how to have fun out there. It is something I will never forget.
My films are so new and unique that I don't know where I will end up. Fear keeps me alert. And it's also a part of an excitement.
When I am shooting a film, then everything goes soft focus. My family also complains that I don't give them time.
My grandfather, Arthur Baskerville, he played and still plays a little bit piano and trombone, and so when I was a kid, I always heard jazz around the house, but I also went to his gigs, whether it be a Saturday brunch in my hometown Columbus, Ohio. We'd go and hear him play with some of the local musicians.
The newly released movie 'Noah' features a retelling of the creation story that clearly depicts Darwinian evolution transforming a single-cell organism into a monkey. The movie also seems to show magic in scenes more reminiscent of the occult than of the Bible story.
