I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
I love the immediacy of those old analog machines; it's really inspiring. You just set them up to play, and they go, playing the same thing until you switch the pattern.
I started off playing rugby league as well as union. I switched between fly-half and wing, but I preferred to play fly-half. I liked to be at the heart of everything. I liked to be involved.
You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip from switching to the bogus feed.
I like switching gears. I'm kind of a chameleon.
What's really scary about the original 'Blair Witch' is that it doesn't really answer any questions, so what makes that ending so scary is you walk out feeling dirty because you don't even know what happened. It feels wrong.
You can be precious about something like 'Blair Witch' and say, 'How dare you approach it as a sequel or remake' or whatever, but its legacy was so tarnished by 'Book of Shadows' that someone had to come in and do something in the spirit of the original.