We wanted to create an opportunity for people to share anything, on their own terms, revenue and all. Get away from the commerce side of music, which can be exciting and necessary but ultimately dilutes the creative impulse. The further and further you go down that path is sometimes the further you are from the reason why you started making music.
I always ask, why can't I be just like Cary Grant or something.
For me, all my negative thoughts that I have about, 'How did you miss that pitch? Why did you miss that pitch? You shouldn't have missed that pitch.' I just kind of sit there and kind of crush it up, and once I'm done doing that... I just kind of toss it aside.
That's why we play. That's why we train. That's why we do everything in the offseason. It is to win a World Series.
That's why you get three of them. Say you get one that you don't think is a strike, and they call it on you: that's why you get two more.
I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
It's a 360-degree sound experience. Like you're in the middle of the band. A lot of people have the technology to play the format, so why not put it out there. It sounds great.
When I sang, I couldn't help making those little curves. People would say, 'Why don't you sing straight?' But I have always had to put something in.
I think St. Jude helped me achieve some miracles in my life - that's why I wear the medallion in my left ear and never take it out.
I don't understand why every guy is not a romantic. I enjoy it.
