Marriage is a blood sport. Marriage is jousting. It's disembowelment. It's just terrible, terrible visceral injuries. It's not for everybody.
'The Distance' is the most visceral for me because I was in a long-distance relationship for two years, and that wears on you for sure, whether you're in the industry or not, traveling and trying to get to that other person.
Egon Schiele is my favorite painter. There's just something about art - photography, painting, music, plays - whatever you see, sometimes there's a gut reaction that's more important or more visceral than what your brain is thinking about. You can't explain that reaction. It's like what happens when you fall in love.
I'm always going with my visceral reaction when I read a script. I am more drawn to characters who are conflicted, and in developing a character exploration. If it's a baddie, I'm rarely intrigued, and if it's a goody two-shoes - too much of a good guy - I'm not, either.
Theater's wonderful because it's visceral, and it's happening in front of you, but you never get that close. So the close-up is a great privilege of film.
I feel like you can do all the research in the world, but when you start putting that costume on, put your hair in a wig and walk into those sets, that's where the visceral reaction is. It's no longer in the head. It's in the body.
Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
The connection to place, to the land, the wind, the sun, stars, the moon... it sounds romantic, but it's true - the visceral experience of motion, of moving through time on some amazing machine - a few cars touch on it, but not too many compared to motorcycles. I always felt that any motorcycle journey was special.