Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.
When I chose to do 'Carrie,' I never had done anything on camera before. I was always onstage, so everything surprised me. Just going on set and walking into a makeup trailer and seeing Chloe Moretz and Julianne Moore - 'Wow, I am part of this ensemble.'
I love getting ready to do a scene, and thinking about it, and talking about it. But the rest of the time, I'm so nervous and obsessed. I'm just tearing my hair out in the trailer. The whole time I'm really tense.
I met Porter Robinson in, like, 2016 at Shaky Beats after one of his sets. Me and my friends ran backstage really quickly to try and get him as he was going to his trailer. We said 'Hi' really quick, and it was the best 30 seconds of my life; it was amazing. Getting to meet artists like that that have changed my life is super, super cool.
I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morning to last thing at night every day of the week. I found it incredibly energising.