When I was doing stand-up, there were a lot of things I talked about that seemed very silly but were therapeutic.
My dad's Macedonian, mum Greek... so for as long as I can remember, my uncles have talked about our warrior blood.
I look around and pay attention to what around me is not being talked about, and then I talk about it with as much humour and honesty as I can. All my books have been that way.
I'm honored that people would think of me for any big role that is talked about a lot.
We talked with PSG, but quickly, I knew that it wasn't where I wanted to go. In France, for me, it was only Lyon. PSG could have enabled me to make progress because they have great players, but I wanted to experience another league.
Acting has never been a thing that me and my dad have talked about. It's like footballers: when they get together, I bet the last thing they talk about is football.
Our talks in Paris tackled economic, democratic, security and political issues; we talked on means for combating terrorism, in addition to latest regional and international developments of mutual interest, especially those in region.
A lot of comics will say that the thing about specials now is that they're not special anymore because there are so many of them, and they come and go, and they're not really talked about. They just kind of come and go.
My grandfather talked about James Dean; they were both very much into method acting.
I grew up in a household where we talked politics a lot and argued politics a lot.
