I have never been able to read Agatha Christie - the pleasure is purely in the puzzle, and the reader is toyed with by someone who didn't decide herself who the killer was until the end of the writing.
I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.
There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
Both for my wife and myself, the personal friendships that have grown out of scientific contacts with colleagues from many different countries have been an important part of our lives, and the travels we have made together in connection with the world-wide scientific co-operation have given us rich treasures of experiences.
Inspiration may be a form of super-consciousness, or perhaps of subconsciousness I wouldn't know. But I am sure it is the antithesis of self-consciousness.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
I really want to bring ensemble playing back to the forefront - not just for me, but for everyone in jazz. When you have a group, a true co-op group, you can really heighten the possibilities of all the treasures of jazz.
Whenever I write anything, I do sing to it, to try and make sure it's interesting or compelling to sing to. I've gotten in the habit of sharing that with other, more charismatic vocalists.