I love the three-act theory. It works and works beautifully. But you don't necessarily have to structure a story that way: Cortazar and Borges wrote in different structural styles.
Evidence of defendants' lavish lifestyles is often used to provide a motive for fraud. Jurors sometimes wonder why an executive making tens of millions of dollars would cheat to make even more. Evidence of habitual gluttony helps provide the answer.
I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.
Hendrix was a natural genius who played many beautiful styles. Talent as great as his doesn't come through life very frequently. Hendrix was one in a billion.
It's funny because I think that both France and Britain are known for their distinctive styles, and everyone says that France is so chic and elegant but I think, more than that, French women are renowned for dressing in what suits them.
I train with whoever I can, all different sizes, shapes, and styles.
Styles make fights.
You don't really learn how to write songs; you learn to develop as a writer, and you get to meet lots of musicians and figure out what kind of sound you want. You have the time to just develop and try different styles, and that's what I did.
I definitely want to act, but I also want to score movies, and I have this idea to fuse classical music with other styles that would give it a different perception.
I feel like my style's always been influenced by 'less is more.' The coolest styles are kind of simple and classic, like a white T-shirt and jeans. Maybe you have a cool belt and cool shoes, but everything else you keep simple.
