I'm a liberal arts comedian and the definition of liberal arts is all spheres of human knowledge, coexisting, mixing and influencing each other.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
Why must art be static? You look at an abstraction, sculptured or painted, an entirely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.
If parents are the fixed stars in the child's universe, the vaguely understood, distant but constant celestial spheres, siblings are the dazzling, sometimes scorching comets whizzing nearby.
Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society.
Until very recently men and women inhabited very separate spheres. There was always interconnection, passion, love. But men and women didn't hang out at the end of the day and chat about what their day was like at the office.
In many spheres of human endeavor, from science to business to education to economic policy, good decisions depend on good measurement.
We entered the 20th century trying to deal with three ideas purporting to define or describe or explain three spheres of action, development and conflict: Darwin on the natural world, Freud on the internal world, Marx on the economic world.
When I was in my teens, Yehudi Menuhin, who was at work on his project 'The Music of Man,' introduced me to the great astronomer Carl Sagan. It was Sagan who first opened my eyes to the magnitude of the universe, and essentially to the notion of 'music of the spheres.'