I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.
We think of our prison inmates as the dregs of society, and we scorn them and push them off to the side and forget about them. We have to remember that they are humans, and they have rights, and yes, they did wrong, but we all have one shot at doing wrong, you know?
Now, being a girl, I was ashamed of my body and my lack of strength. So I tried to be a man. I shot, rode, jumped, and took part in all the fights of the boys.
I do what I can, but I'll always give it a shot. You're not going to see me playing a Welsh character any time soon, not because I wouldn't love to. I went up to Wales once and read for a film with Rhys Ifans, and haven't been asked back since. We did have a nice time on the train on the way back.
A good trick I learnt early on is not to immediately look at playback because once you know the shot, you can see when the camera is on you. It's best to stay 'in it' all the time, and just if it's on you, it's on you, and if it's not, it's not. It's the easiest way.
Imagine a world where everything that can be connected will be connected - where driverless cars talk to smart transportation networks and where wireless sensors can monitor your health and transmit data to your doctor. That's a snapshot of what the 5G world will look like.
The success of a film at the box office will ensure happiness to the entire unit, but individual awards are like vitamin shots that will help boost the morale of an actor.
Usually after a shot, we look for a chair to rest our feet. In 'Oopiri,' it was the other way around. After every shot, I was on my feet, walking around the set trying to get the blood circulation in my legs working properly.