If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.
I've never really been single! I'm a serial monogamist. Ever since I was allowed to hold a boy's hand, I was like, 'Oh my God! We're boyfriend-girlfriend. We're together!'
Whether it is a film, television serial or web series, there are three basic things that I consider when I give a nod for a project. Firstly, is the story bringing any effect on my mind. Secondly, the integrity of the makers, and how it will impact the society once the story goes on the public platform.
I'm a serial scroller, and whenever I have a minute to spare, you'll find me on my phone scrolling through Instagram.
For me, one of the most beautiful and rewarding aspects of serial reality TV is that characters can move freely along a spectrum of heroism and villainy.
I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
I've only ever done out-and-out serious roles. I've played, like, five serial killers.
I revere my serials. But the reality, at the same time, is that it is difficult to get a break in films. I have been unceremoniously ousted from 20-25 films because I am a serial actor.
I'm a Twitter addict. Jose Andres is a serial tweeter. It's funny to see which chefs have embraced it, and the different paths they take.
The advantage of being the creator of the character is I know them better than anybody, I like to think. But the reality one has to deal with in a serial collaborative medium like comics is that you're not the only one who writes the character.
