There is something sinister, something quite biographical about what I do - but that part is for me. It's my personal business. I think there is a lot of romance, melancholy. There's a sadness to it, but there's romance in sadness. I suppose I am a very melancholy person.
When you're in the public eye, we all feel like we're constantly observed, so we don't let things out. Anger, sadness, happiness - when does that come out? Maybe when you're in traffic, because you're in the safety of your little metallic bubble.
The vampire movies I embraced as a kid used vampirism as a metaphor that expressed deep sadness and a lot of human qualities.
I grew up a happy kid in Toronto. I've never suffered. I've never even had a real job! But I understand sadness and striving, and those two things tie into all the roles that I've played.
I don't go on the Internet. I never go on the Internet. I don't go on Twitter. I'm not on Facebook. I've seen friends go into dark, dark holes of sadness because of that. Frankly, I don't have the time or the attention span for it.
There's sadness to anyone that dies before their time, and specifically ones that seem to affect people in a positive way. It doesn't matter if it's Whitney Houston or a nameless, faceless person on the street. That's just as big of a tragedy for me.
My sadness compels me to hide it so that people won't judge me. Seeking help would have blown my cover. Meanwhile, my mania convinces me that it's making me fun so I'll want to dive further into it. Seeking help would've ruined that good time.
Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.