I once asked the most fabulous couple I know, Madonna and Guy Ritchie, how they kept things fresh despite having been married for almost seven months. 'It's a job, Al,' Guy told me. 'We work at it every day.'
There's no money in theater, but artistically speaking, it's so much more fulfilling! But, of course, there are still so many people left in film that I would love to work with as well - like Guy Ritchie! I'm a big fan of his work. He's at the top of my list of people I would love to collaborate with.
Thompson and Ritchie were among the first to realize that hardware and compiler technology had become good enough that an entire operating system could be written in C, and by 1978 the whole environment had been successfully ported to several machines of different types.
Deep Purple was sinking with Ritchie. We were playing to quarter houses in Europe, which is one of our strongest territories - in Germany. Smaller venues, and they weren't even full. So had we continued that way, and had Ritchie not walked out, we would have finished; that would have been the end of it.
I know in my heart of hearts that Ritchie Blackmore is one of the great guitar players of all time. He's a fabulous technician, and he's got incredible skills, and he was a great showman.
We thought Raffie Ritchie sounded really cute when shortened. His older brother Rocco helped choose the name - we were throwing ideas out there as a family, and it stuck from early on.
Some of my best experiences are with writer/directors. Guy Ritchie is one. I feel they have a clearer view of what they want to do. They haven't got to try and interpret someone's writing; it's all theirs. I really admire that.