I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
I just think that rap takes way more slack than the video games and the movies. We don't make guns. Smith and Wesson makes guns. Like, white people make guns and bullets, and all we're doing is rhyming and putting words together.
I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.
I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.
No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
I was able to make up lots of portementos, literally hundreds and hundreds of words... See, I find that mine don't have any meanings. They're not proper. Although I've got a great dictionary of them. It's like the Cockney rhyming slang or something.
Poetry consists in a rhyming dictionary and things seen.
When people ask me, 'When are you gonna stop rhyming?' I don't know when I'm gonna stop rhyming because we all got situations. Even when I get 50 or 60 years old, if God spares my life, if I got false teeth and I'm still rhyming, I have to rhyme about that.
If you take a song like 'We Will, We Will Rock You,' 'You got blood on your face... ' - he's rhyming on that! And if you take the lyrics out of that song, you get a hip-hop beat. It's a rock song, though. So it's not out of my element for me to get with Black Lips.
