I generally only eat one meal a day, which is pretty unusual for a restaurant reviewer. It's not that I have a problem with food; I'll eat anything that doesn't involve a bet, a dare, or an initiation ceremony.
I am a book reviewer. I write for a glossy magazine called 'SCI FI.' The money is not life-changing, but it's a low-stress gig. Publishers send me their books. More than I could possibly read. I pick a few and write about them, put a very few others on the shelf, to be perused at my leisure, someday.
The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.
I believe passionately in preemptive pessimism, especially before a book comes out. I expect the worst both from reviewers and sales, and then, with any luck, I may be proved wrong.
It doesn't matter that millions read as long as you share it with somebody. So I don't really think about readers or editors. You especially should never think of editors - especially never think about reviewers.
We don't really need reviewers, just first-night reporters who will tell us faithfully whether or not the audience liked the show.
It's been wonderful to hear so many excited and intelligent responses to 'Beautiful Children,' not only from reviewers but also from the people coming out to my readings.