Our music is weird. It's not pop. I don't know why so many people buy our records.
Champagne Jerry records are definitely, in one way, on the very far end of the weird spectrum of rap music, then, in another way, very far on the weird punk spectrum.
We could be as rich as the Rolling Stones if we sold as many records.
As a band, we always took a really long time to make records, so unfortunately, we got into that habit of, like, 'We'll work on it tomorrow.'
A lot of people are trying to get me to go solo. It's just a thing I have to deal with a lot. Record labels are always trying to get me to go solo.
I don't know why we sold a lot of records or why so many people came to see us. Like 'Sabotage' - would you put that song on, like, 'I'm gonna listen to that right now?' It's a weird choice.
A lot of people talk about records, but you can get lost as a player if you think too much about them.
I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and that's not this.'
People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
Since the decline of record companies and music sales, I've always played live.
