'EastEnders' has been wonderful to me and it's no secret that it changed my life all of those years ago. I'll be so sad to leave Peggy behind; she's such a wonderful character to play. I have had the pleasure of working with a marvelous cast and crew and have made many lasting good friends.
Then I went through a big Peggy Lee stage, then I became Annie Ross, then Judy Collins.
One of the reasons you take a role is because it's something you always wanted to do, from going to the movies as a kid. I always wanted to do a 1950s movie, for example. And I got a chance to be in 'Peggy Sue Got Married.' I would have taken only one line of dialogue to be in that.
Peggy Atwood, Alice Munro, Hugh Hood, Michael Ondaatje - these are all old friends from my early 20s.
From Michael Jackson to Peggy Lee, I like it all.
I didn't know about competition or the Olympics until Peggy Fleming won in 1968. My mother looked after all of the competition stuff. I just skated. I didn't really love competition, but that was the only way to get better. You'd see more talent.
There were no competitions on television. The first skating competition I ever remember seeing on television was the 1968 Olympics when Peggy Fleming won.
When I was growing up, there were very few women athletes. I remember watching Olga Corbett, but Peggy Fleming and Janet Lynn were my role models. I never dreamt that I could be at that level. I remember thinking they seemed so elegant and regal and powerful and feminine.
The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
