When I was a little girl, I watched old movies maybe shot at Paramount Studios, and the fact that every day I get to drive onto the lot and shoot a show that sometimes takes place in the '40s, it's very interesting.
I spent my entire youth in front of a TV watching old movies, and as soon as I was able to get a subway pass, when I was 14, I joined the Museum of Modern Art and was there all weekend watching old movies.
You know when you watch old movies, it's always the small parts you remember, the character actors who come in like a breath of fresh air.
Nostalgia, the vice of the aged. We watch so many old movies our memories come in monochrome.
I grew up in this tiny town in Rhode Island, and we didn't have cable. We had three TV stations, and one of them would play old movies. That's what I would watch, and I always wanted to be, like, Myrna Loy in 'The Thin Man.'
I started getting interested in the craft and watching old movies, and they're the ones that reach out to me the most - films like 'Cool Hand Luke' and 'On the Waterfront.' So I start watching all of these, and I was getting educated, and I started being interested in this acting thing, if that's what they call it.
When I see old movies with women in floor-length dressing gowns, or when they're going to the store and they've got a pillbox hat with a net over the eyes and white gloves, I'm offended that I can't go to the store like that.
I watched a lot of old movies, and a lot of Carol Burnett and Andy Kaufman.
One of my favorite movies is 'Some Like It Hot,' which isn't really a musical, but I'm just such a sucker for old movies. I wouldn't want to ever tarnish one of them, or do a spot-on remake, but just do something light like that where I get to glide across the floor. I would be a very happy camper.
I just don't want to make the same old movies. I'm not interested in it. Directing's hard. It takes up a lot of your life, and I'm not that interested in making the same old film.
