In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.
I haven't read the 'Twilight' books, though I suppose, in general, I thought it might be fun to deflate all of the notions of vampire sexiness, secret societies, the idea that anyone could learn to divide the population of the world between fellow vampires and perishable food sources and expect to retain their humanity, etc.
American pop culture is perpetually in adolescent mode. The notions of what it takes to be a man, as depicted in pop culture, are very superficial, one-dimensional, and adolescent.
It's the word 'artful'; it's such a great word, with its dark and its light side, its art and its cunning, the craft and the crafty of it - I've been preoccupied with the word 'artful' and the twin notions of 'cornucopia' and 'pickpocket' it suggests for quite some time.
Even fake news tries to convince us of its reality, but it does so mostly by appealing to your preconceived notions, your shared biases, or your prejudice. How to do the opposite? To create a sense of the real and then challenge your biases. I think that is my favourite aspect of writing, and that is what I've tried to do in 'The Lovers.'
Our true nature is free of any and all notions of gender, of any notions of difference whatsoever.