I do a lot of planks. I feel like the plank is the most underrated core workout; that's one of my go-to moves.
My co-founder Dylan Smith and I left our junior year of college to move to the Bay Area. To the horror of our friends' parents, we actually had two other friends drop out of college to work on the product. The four of us were just working non-stop growing Box.
I moved back to Idaho when I was 6 or 7 and then lived in a little town called Twin Falls and then moved to Boise. So quite different from L.A. I'd been to Disneyland a couple of times, and that was the closest I'd been to L.A.
It's all about trying to be very careful about what your next role or what your next move is gonna be. It's all about trying to have longevity in this business and make smart choices.
I moved out to Los Angeles a fan of many people, and meeting people I put on a pedestal that just disappointed me. Without fans, this business would not exist, so I try and say that we're all on the same level.
With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
I think, because of the lack of guaranteed contracts in the league, there's hesitancy to speaking your minds at times. But I feel like there could be a movement beginning where guys are feeling a little more comfortable talking about things that are important to them.
I'm at a point where there isn't any wasted movement in the throwing motion. Everything is consistent and smooth. When I first got into the league, I held the ball really high. That was the standard in college, and it messed up my timing a little bit - the draw, bringing it back, then the release.