I'm in total awe of the technique of great film people. Because if you get your emotional life up to perfection by miracle on Take One, you better have a technique to keep doing it again and again and again.
Our show is less about a girl who is doing miracles and more about the domino effect of this girl's life, and how everyone else is affected. Our show seems to be a questioning show as opposed to an action sort of fairy tale.
Take corruption, right? Take political corruption. Europe, the Anglosphere, northern Europe, has been kind of a miracle zone - and I'm not saying there's no corruption, of course - but in being somehow able to minimize political corruption.
I had a C-section, and I found it fascinating. I didn't find it a sacrifice, and I didn't find it a painful experience. I found it a fascinating miracle of what a body can do.
I was bit by a dog when I was two years old, and it almost mauled my face. It almost killed and/or blinded me. I was this close to dying at two, which is terrible. I survived it, and there was no head trauma or anything like that. Honestly, it was a miracle.
Now that I'm in 'Nashville,' the thing that I'm loving the most is co-writing. You walk into the room and you shake hands with someone you've never met before and you walk out four hours later and you've got this thing... sharing ideas and everything, it's almost magical, like a miracle.
That's the miracle of music. No one can reinterpret a Picasso, but a song can be remixed and covered and interpreted in an infinite number of ways. It's a living thing.