When I really discovered who God was and had a firm relationship with him my junior year of college, I journaled constantly. All day long. I had boxes of journals. They were really just love letters to God, just thanking him and praying out loud and telling him my desires.
On 'Love Letters', I focused exclusively on songs with lyrics, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.
I feel 'Love Letters' has been part of a longer journey towards a very simple, international sound in which the sitar is no longer exotic or classical, but simply a tool of expression when juxtaposed with the voice and cross-genre elements.
On 'Love Letters' I focused exclusively on sung music, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.
My number-one website is brainpickings.org. It opens you up to different authors and gives insights into the literary world. Reading about the love letters novelist Vladimir Nabokov wrote to his wife Vera blew my mind. Fascinating.
Part of why making Pinwheel is so fun, is so exploding with possibility, is that a note, like a photo, can be a container for all kinds of things. It is the perfect social object. Stories, advice, jokes, diatribes, information, memories, facts, advertisements, love letters, grocery lists, and manifestoes can all be put into a note.
In 2001, the hard disk on my laptop crashed, and everything on it was lost. I'd been using the computer for two, almost three years, and had all my work on it - email, which was stored locally; photos; fragments of poems; presentations; sketches; ideas; love letters; everything. I lamented the loss to my friends and got lectured on doing backups.