What interests me is whatever it is that allows the heart to continue to yearn for something the intelligence knows is impossible to have: a lost love, a shelter from life's blows, the return of a time past, even a connection to the dead.
The silver screen offers much in the way of over-the-top rom-coms, long lost love, saddening love stories and heart warming optimism that can spark feelings in anyone.
If India hadn't become a troubled space for me, somehow I wouldn't have any reason to write about it. So the fact that it's a lost love, or something, is why I keep thinking about it obsessively.
I think every writer has a book that haunts them, and on some level, every book you write is a reaction to it. 'Lolita' is that book for me. Nabokov's love of wordplay, descriptive detail, artfully complex plots, and his themes of obsession and lost love, are inspiring.
I think we've all been kind of... everyone's been hurt, everyone's felt loss, everyone has exultation, everyone has a need to be loved, or to have lost love, so when you play a character, you're pulling out those little threads and turning them up a bit.
Incidents of the past - a lost love, a missed opportunity - shape us and make us what we are.
I understand lost love, and I think that can destroy a man more than anything if it was a deep love that is lost somehow.