My style of singing has always been referred to 'soul' singing when it fact it's more influenced by English R&B Blues Shouting. I'm closer to Led Zeppelin as a vocalist than to Ella Fitzgerald. It was torture dealing with major labels.
I devour books. But for the longest time, I refused to pay attention to genre or labels.
The pressure is only from the producers and the labels. No composer, no singer would ever want to sing a remix.
I've never been told to do anything. I've never been hurried along by anybody - the kind of so-called 'pressure' of record labels doesn't really exist in my case.
If a magazine proudly labels itself 'The Economist,' you would expect that publication to understand the economic burdens of today's youth. But when a tone-deaf writer at the magazine tweets an article asking 'Why aren't millennials buying diamonds,' it pretty much sums up how oblivious some can be in matters they're supposed to be experts in.
If I were to put labels on demonetization, it would be transparency and traceability.
I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage. I'm happy to be in that category.
From doing Power Station, it was like, it's the same guys, but it doesn't sound like them. When we were in Duran, the labels and management wanted more Duran stuff so they could sell it.
This is a very screwed-up business. Record labels don't sign a lot of bands these days. We just want to find a home and stay there and make records and do our thing and not have to look over our shoulder.
Labels put people in boxes, and those boxes are shaped like coffins.
