First scenes are super-important to me. I'll spend months and months pacing and climbing the walls trying to come up with the first scene. I drive for hours on the freeway.
Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
Planned Parenthood is a tough place to work - the hours are long, the work is emotionally draining, the paperwork is endless, and the morale can run low.
It takes me about two hours to run into Target. People always want a picture. They hem and haw, and they can't spit the words out, so they waste about five minutes of my time just standing there getting ready for a picture. Just do it!
The first eight years in Mumbai were specially tough. I knew during the first two months of my stay that there's no point waiting for hours to meet producers. They won't meet you and definitely won't give you a role.
I write by stealing time. The hours in the day have never felt as if they belonged to me. The greatest number has belonged to my day job as a physician and professor of medicine - eight to 12 hours, and even more in the early days.
That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.