So with truth - there is a certain moment when one can say, this is the truth and here I put a dot, a stop, and I go to another thing. A judge has to put an end to a deliberation. But for a historian, there's never an end to the past. It can go on and on and on.
You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
Newt Gingrich seldom misses a chance to note that he is a historian.
Many scholars are not used to perceiving natural knowledge expressed in mythological language. If the study of fossils was not mentioned by Aristotle or Thucydides, and it wasn't, then it just didn't exist for many classicists and ancient historians.
The tasks of paleontologists and classical historians and archaeologists are remarkably similar - to excavate, decipher and bring to life the tantalizing remnants of a time we will never see.
We want a world with both historians and novelists, don't we? Not with one or the other. Every fiction writer crosses the line that divides artistry and documentation - or erases it.
Yes, I'm a reasonably good self-taught historian of the 1930s and '40s. I've never wanted to write about another time or place. I wouldn't know what to say about contemporary society.
The quarrel of the sociologists with the historians is that the latter have learned so much about how to do it that they have forgotten what to do. They have become so skilled in finding facts that they have no use for the truths that would make the facts worth finding.
I quickly learned that as a fiction writer, you need the sort of details a historian or a biographer would find extraneous or useful to provide context via a footnote.