The way you dress is really the way you feel, the way you live, what you read, your choices. That's what I want to put into Gucci.
My idea for Gucci was crazy, but that's the only idea I had. I was sure I'd be fired after the first show.
With a brand like Gucci, you have to give something that belongs to beautiful Italian culture in terms of craftsmanship and materials.
When I started to work at Gucci, I tried literally to destroy everything.
I like it when I see people dressed on the street, and it looks like Gucci, but it's not. It means you are doing something right.
There's something about a Gucci loafer kicking on a fuzz pedal.
It's not unusual for a luxury company to be born from a single product and then diversify. Louis Vuitton began with luggage, and Gucci with leather goods.
I don't like the fashion world. It's too nasty, too rip-off, too hard. And now it's all Gucci and Prada; it's very difficult to make your own business.
I am thrilled to be working with Gucci and especially happy to be playing a part in their timely return to the equestrian world.
It is a real pleasure to collaborate with Frida Giannini and Gucci to celebrate one of the House's most elegant symbols: the horsebit.
