My brothers and I had a gospel quartet, and that was the only music people listened to. But I was already gravitating towards songs by Sam Cooke, and then one day I put on a Jackie Wilson record, and baby, I was thrown right out of the house.
Every good gospel singer you can hear is a scat singer; they're just using different syllables. There are a lot of jazz singers out there, and more coming out of the churches.
My mother kept asking me, 'When are you going to do a gospel album?' And I've always wanted to do a gospel album. Everybody was going on about it, so mom started hounding me more.
Jazz music, as is also the case with the old down-home spirituals, gospel and jubilee songs, jumps, shouts and moans, is essentially an American vernacular or idiomatic modification of musical conventions imported from Europe, beginning back during the time of the early settlers of the original colonies.
Of the sayings of Christ in the Synoptic Gospels that can be compared to those in the fourth Gospel, there are one or two which I venture to think can only have been recorded on the authority of St. John.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
If you can't prove it in words, it ain't gospel. Soul music is just an expression of the mind, but your spirit has to be made alive - that's the real part, the part that God speaks to.
Every day, we hear that somebody got saved to our music from all over the world. The music reaches people. It can encourage them. I feel like I have to do it because there's somebody out there who needs to hear the gospel.