That aesthetic of the Star Wars universe: the do-it-yourself, hotrod ethic that George Lucas exported from his childhood, is exactly the same kind of soul behind what we do and build for the show. It may not look pretty, but it gets the job done.
I guess I feel like it's a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it's a small role, it's a gift to be working that closely with them.
At the time that George Lucas made the first 'Star Wars,' space was always presented as pristine. And he wanted to show that they may be fabulous vehicles, but they've been driven some miles. And, without anyone thinking about it or thinking that was going to help make it a pop hit, everybody believed in that world, because it looked inhabited.
'The Clone Wars' was rooted in George Lucas and his characters.
Just getting to meet George Lucas was pretty amazing, and then working with him and getting to be part of this process... it's a great responsibility.
I think why people relate to 'Star Wars' is George Lucas is so brilliant at telling these stories that we relate to, but in such a fantastic environment with fantastic characters and things you want to believe in this story.
Pressure, to me, was creating a 'Star Wars' film, then sitting alone in a theater with George Lucas and showing it to him, the guy that created the word 'Wookiee' and R2-D2. That was pressure.
George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!
The movie I've seen a million times - wait, that's not possible - my favorite movie of all times is 'The Empire Strikes Back,' directed by Irvin Kershner, executive-produced by the great George Lucas and stars Harrison Ford, Mark Hamill, Carrie Fisher, Billy Dee Williams, James Earl Jones.