My mindset in all three formats, in any situation, is exactly the same. I just want to get myself in, get myself a nice foundation to hopefully attack and dominate the bowlers.
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
My way of expression is full of complications and mystery because that's my perception of life.
My mum had four kids on her own, so if I had one kid with one nanny and not a full-time job, it would be a joke. And I think the impossible happens when you leave your kids. I've seen so many nannies in the park on their phones, and the kids are running off.
I love Maira Kalman. She's an amazing illustrator and writer. I've loved her since I was in college, but when I moved to New York and experienced the same city she was drawing and writing about, I developed a whole new appreciation. Her work made me observe everything so much deeper and more joyfully.
We live in such a celebrity-driven culture, but all those people have to go buy toilet paper, and all those people have products they use and their favorite sweet treats. They all have to write to-do lists, and they're all reading books - well, hopefully most people are doing those things.
I want to reduce my risks as much as possible and hopefully be able to go to the World Cup fit, ready and healthy.
I like to look at the glass half full.
Many people can rightfully claim, as much as anyone can rightfully claim anything, that much of their lives have been spent stumbling through a cloud of cluelessness.
I have always been up for risks, but only because I had full confidence and faith in the vision of my directors.
