Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
Television and film acting is really fun because you are working with other people and you are not completely responsible for the outcome of the project.
Every time I've crossed to a new level of film acting, the film has been a breakthrough project.
That's the thing about film acting and television acting. You just release yourself and do what is true for the moment, and ignore everybody and everything and all the technical razzmatazz that goes on.
I find in film acting that however many years you have done it for, you can feel totally relaxed and at ease with the people around you, absolutely wonderful, then roll camera and a little part of you goes, 'Ugh'. It is learning how to manage that.
I'm not trying to take anything away from film acting, because it's also really hard, and I worship the people who are great at it. But to actually have to go out on stage night after night and do it with your audience right there is so wild and scary and exciting and fun and all the things that I remember loving about it.
I was mainly a stage actor. I found film acting mechanical, because it was so technical - there was so much technique with the lamps and the movements of the camera.