If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.
I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff.
One of the things about being raised British in Africa is that you get this double whammy of toughness. The continent in place itself made you quite tough. And then you've got this British mother whose entire being rejects 'coddling' in case it makes you too soft. So there's absolutely nothing standing between you and a fairly rough experience.
One of the things I say is, 'You want to know what it's like to be a baby? It's like being in love for the first time in Paris after four double espressos.' And boy, you are alive and conscious.
It will be the first time I've played live with a double bass.
It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.
Outside boxing, I did well in cross country competitions and I won a schoolboys' doubles badminton tournament at once. I was pleased because it was a hobby to me.
When I was a kid, we played a jump rope game called double Dutch - where you had to jump over two ropes swinging in opposite directions. Picking just the right moment to jump in was a practiced art form.