Most actors who direct do it because they've been directed by so many bad directors.
A lot of directors understand everything but the story.
I've worked with a lot of directors who really don't have a sense of what the hell they want.
What worries me are these so-called radio stations with program directors who don't play all the different flavors of hip-hop. They should play the old with the new, 24/7, 365 days a year. A lot of these program directors are just jiving around and not playing all the good music for the people.
Savvy companies are quietly changing up their boards of directors and teams, and this is giving them better collective intelligence, more community admiration, and better financial results.
I'm a student. I want to do better, and I want directors who can find the actress in me and be my teachers. I'm interested in the whole process of editing, post-production and direction.
Directors approach me for doing 'strong' women characters which, as an actor, increases a sense of responsibility to give my 100 per cent and even more for the faith they entrust on me.
'Kaaka Muttai' has gone places. It's a great feeling. There is respect from family and friends. The film has travelled to international festivals, and I was able to meet big directors.
When I signed 'Kaaka Muttai,' a lot of directors told me that I shouldn't be doing the role of a mother so early in my career. But I went ahead, as I aspire to do challenging roles.
I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.
