I was a daredevil before, and after I lost my sight I was the same. I loved riding bikes, scooters and horses. I even learned to box. Muhammad Ali is my hero.
The next few years are going to be horrendous in the UK. The last thing we need is a Somali pirate-style raid on the few wealth creators who still dare to navigate Britain's gale-force waters.
I walked the streets of New York; I would feel the presence of Daredevil. I would see him up on the rooftop. What you are doing in your life, you start to see in your book. It all starts to merge together.
The things that churned inside Daredevil were deeply religious, somewhat guilt-driven traces of the messianic, with his powers being a compensation for and driven by the vulnerability of being blind. Green Arrow is not driven by dark forces.
I want Green Arrow to have fun. I don't want him to be a tortured hero. I mean, I've written plenty of tortured heroes, like Daredevil. But it's all there in Daredevil's origin as to why he'd be a tortured adult. Green Arrow doesn't have that kind of origin. In fact, he's such a clean slate that he doesn't even have an origin anymore.
'Daredevil' is haunted by Frank Miller, from the standpoint of the Frank Miller run on 'Daredevil' is so insurmountable.
Britain is still seen as a beacon for decency, for democracy, for vigorous judges upholding the rule of law and, dare I say it, a free press. I respect the press in theory, but when you see some of the things it writes about you, it's not exactly a happy relationship.
One of the fun things in the old days about writing with Frank Miller was that every issue of 'Daredevil' was a challenge to every issue of 'X-Men.'