Clark Gable seemed fascinating all his life because there wasn't so much information about him. Today, you're on television all the time.
Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable.
When Clark Gable kissed me, they had to carry me off the set.
I was very young when I saw 'Gone With the Wind,' but I fell in love with Clark Gable. And when I got to work with him, I couldn't believe it. I still had a crush on him. He was quite an old man by then; he must have seen that I was head over heels, even though I was married.
Everything about the studio was enormous. You walked through the gates of iron, and it was palatial looking. The first day, I was introduced to Clark Gable. He said, 'Hello, kid. Welcome to MGM. I'm just leaving.'
Clark Gable was the first to have called me a mermaid.
John Gilbert was perfectly willing to jump into talkies. He had as good a voice as Clark Gable. There was such a divide between the silent and talkies. There was no logic to who survived and who didn't.
I watched Gene Kelly for his smile, for his energy. Vittorio Gassman for his movement. Clark Gable for his mustache. And I watched Lassie who was happy as a dog.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
Most mustaches lie waiting for some Clark Gable or Tom Selleck to fix them in the mind. The greatest are identified with a single man, a bad man, usually, who so wrapped his identity with a particular configuration of facial hair that the two became inseparable.
