The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
The first Broadway show I ever heard was the recording of Carousel, and it was a very vivid experience.
There's parts of touring I like. I like the actual performance part, but the bit when you're in the airport waiting at the carousel for your bags to come around, I don't like that a bit.
When someone else is making money off of you and using your body, you need to step off the carousel.
In college, my voice never quite fit the classic ones like 'Music Man' or 'Carousel'.
My first signing bonus was 3,500 bucks. I bought speakers and a five-disc carousel CD changer. Dude, I thought I was the wealthiest quarterback around.
Looking for love is tricky business, like whipping a carousel horse.
In fact, in some ways, I actually feel much more confident about the quality of Carousel than I do about The Cottage Builder's Letter: probably because of its cohesive nature.
With 'Carousel' I had an idea and it all came out quickly.
My favorite part of a roller-coaster ride is when you're going up and you're slightly scared and really excited. You don't know what's coming next but you know it's going to be good. You can't handle it, go on the carousel.
