Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.
I'm not such a nuisance to the world, and the kick I get out of living can, I suppose, justify the impositions I make on it. But when life isn't so fun, well, then I start to wonder. What's the point of going on if it's just trouble for us both? My friends will miss me, I am told.
I have to be fully committed to do a project nowadays, because if I say yes to something, it means the whole family are going to have to move for the job. It's a lot of upheaval. So, it has to be really worth it. Otherwise, I'd just as well not bother.
The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.
I called both President Trump and Kim Jong-Un a dictator. I didn't mean to say that. My mistake. I apologize for that.
America has an identity crisis. This is a relatively new country compared to the rest of the world, yet it's the bully that fronts to know war and democracy like none other, therefore leading the global arbitration on both fronts.
The abortion industry and their workers are under unique pressure and constantly in the spotlight because abortion is so controversial, and people on both sides are considerably passionate. This isn't a typical nine-to-five job. It's on a whole other level of intensity.