In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.
A poem generated by its own laws may be unrealized and bad in terms of so-called objective principles of taste, judgement, deduction.
I'm a Sufi Muslim, I would say. I believe in using the medium to create a good vibration because art is so important to society. Some projects I don't do because I feel that it's going to create a bad vibe. I don't do propaganda films that are anti another religion, anti-Muslim or anti-Hindu.
I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
Animals keep you company when you're really lonely. It helps because when you have a friend around who always likes you no matter what - it's harder to feel bad or down.
It seems to me if you want something badly enough, whether you're a man or a woman, you'll do whatever you have to do to get it.
Directors, producers can make you look good or make you look bad.
People can do bad things for good reasons, or for what they think are good reasons.
I'm not a moral relativist, I do think at the end of the day there's right and wrong, there's good intentions, and then there's bad paths that you can go on even if you have good intentions and we believe that.
I think bad politics are incredibly dangerous, so it's important to make sure that people are communicating well. Culture and morale are super important. It's best to not force it, but let it happen organically and genuinely.
