I was in a mental hospital. That's all I wanna say. I don't wanna say anything more.
I lived with my parents in Belarus, and I went to Russian kindergarten, which is where I learned Russian. Belarus had just become an independent country; there was no food in the supermarkets, so it looked very post-war, very Soviet.
I met Fredo Santana three days before he passed. We were in the studio in Los Angeles, actually, listening to 'Get Rich Or Die Tryin,' and he's a great human being.
There was a recording studio in my school, and I knew this kid who had a key, so I'd write lyrics in school while I was in class, and then, in a 10-minute break, I recorded the song 'Hurt' in one go at the school studio.
In the U.S., everything is big - it's like looking through a magnifying glass.
I'm in my own little world. I don't get invited into galas; I don't meet other people that I don't find interesting. I hang with my friends all the time, and we do exactly what we like.
I've always been an outsider everywhere I go - I don't fit in with the Swedish rap community or the American rap community. But who cares?
I'm really into, like, characters - music characters like Sid Vicious and Kurt Cobain - just, like, how they are and stuff. Like Lil Wayne.
I think you shouldn't get my music confused with who I am or who we are, because Yung Lean, from the beginning, is like a character created by me. Yung Lean was everything that Jonatan wasn't. And so me, as a person, and my views on things are certainly different than Yung Lean's views, so you should definitely not get those two mixed up.