We are asleep with compasses in our hands.
That's a great gift to be given, that feeling of no fear.
Poetry is like making a joke. If you get one word wrong at the end of a joke, you've lost the whole thing.
He said you should write about 75 lines every day. You know, Pound was a great one for laying down the law about how you did anything.
Democracy's got endless problems and faults and dangers, but it's certain the alternatives are not better.
Now all my teachers are dead except silence.
I can't imagine ever writing anything of any kind on a machine. I never tried to write either poetry or prose on a typewriter. I like to do it on useless paper, scrap paper, because it's of no importance.
In a sense, much that is learned is bound to be bad habits. You're always beginning again.
I think poetry is as old as language, and both come out of the same thing - an effort to try to express something that is inexpressible.
I go five steps in the garden, and I immediately lose track of time... it is a kind of joy in being alive in being in the world. I always found that in the garden. That is what it means to me.
The time of wisdom cannot be measured, and for me, wisdom is the garden. There is no time in the garden.
I am too conscious of being an American to accept public congratulation with good grace or to welcome it except as an occasion for expressing openly a shame which many Americans feel, day after day, helplessly and in silence.
The Indians seemed to be living in a place and in a way that was of immense importance to me. So I associate learning to read - English, oddly enough - with wanting to know about Indians. I'm still growing into it. I've never outgrown that.
The kind of writing that matters most to me is something you don't learn about. It's constantly coming out of what I don't know rather than what I do know.
You have to be rather relentless about pushing other things out of the way. This activity of writing, which has no promises attached to it, comes to be given a kind of arbitrary but persistent importance.
As a child, I used to have a secret dread - and a recurring nightmare - of the whole world becoming city, being covered with cement and buildings and streets. No more country. No more woods.
I think memory is essential to what we are. If we - we wouldn't be able to talk to each other without memory. And what we think of as the present really is the past. It is made out of the past.
The past is always - one moment it's what happened three minutes ago, and one minute it's what happened 30 years ago. And they flow into each other in ways that we can't predict and that we keep discovering in dreams, which keep bringing up feelings and moments, some of which we never actually saw.
I think this is one of the benefits of getting older: that one has that perspective on things farther away. One is so caught up in middle years in the idea of accomplishing something when, in fact, the full accomplishment is always with one.
The idea of writing, to me, was, from the beginning, was writing something which was a little different from the ordinary exchange of speech. It was something that had a certain formality, something in which the words were of interest in themselves.
