I think that pop music in general sometimes like to keep things a bit more hidden, and, you know, you censor and you polish to make it fit more people or to not be too vulgar or make sure of, 'Can this really play on the radio?' And I like not doing that.
I'm from a fancy, well-raised background. We were very well-behaved and not allowed to swear. It's the kind of place where people hide their problems under the rug and pretend it's all perfect. Eventually, you get sick of that.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
If you say, 'I listen to pop,' you picture this kind of perfect, colorful, polished song. I want to have that, but when you open it, you see this gritty dark - kind of like dancing your tears away. Disguise the sadness in a pop beat.
When people like your music because it has vulnerable honesty, and you're able to comfortably admit to flaws and imperfections, then that's the most liberating thing about being an artist.
At first, my bedroom had flowers and yellow walls and huge furniture in plastic that was orange and green - and furry green bed cover and everything. Then, I think the day I turned 13, I painted the walls black and put Kurt Cobain on the wall and just changed everything into a dark theme.
Everything that has to do with sex is somehow... it's the best thing in the world, and it's still the one thing people don't want you to talk about.
I think there's always a bit of pain in everything that's ecstatic - relationships and love, they always come with pain.
It's OK to joke about yourself and have self-perspective, but, like, when you constantly put yourself down to get other people to tell you you're good, that annoys me. Have confidence!
I've always wanted my music to have that desperation, where you just want to strip your clothes off and run down the highway. I want the feeling where you don't really know what to do with yourself - in the vocals, in the production. Everything.