I was born in Budapest, Hungary, and moved to the United States in 1956. It was during the Hungarian Revolution when Russian tanks rolled into Budapest, and my family - me, my brother, and my parents - escaped over the border to Austria. We just took whatever we could carry. It was perilous, but we made it across.
I've been a loner all my life, so it didn't bother me that Hungarian was my first language and that I had to learn English. I had a pretty heavy accent in junior high school and would say things like 'wolume control' instead of 'volume control.'
Dee Dee got the name 'The Ramones' from Paul McCartney. McCartney would call himself Paul Ramon when he checked into hotels and didn't want to be noticed. I liked it because I thought it was ridiculous. The Ramones? That's absurd!
Mostly I listen to old-time music, some bluegrass, some Americana stuff, too many to name. But of the younger acts, there are The Freight Hoppers, who were big in the '90s, and The Foghorn Stringband from Oregon, and there's a lot of young string bands coming up now, basically punkers who play acoustic instruments forming new bands.
In high school, I got into folk music, and I taught myself guitar. And when The Beatles came out, I got an electric guitar.
Dee Dee Ramone was the one who would go to Rockaway Beach, and he wrote that great song about it. He was the beach boy; he loved getting a tan and stuff, and he would ride the bus down Woodhaven Boulevard to Rockaway.
I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.
Even from the very beginning, the type of fans the Ramones generated were the kind of people who wound up running industry, who became professors and scientists. Our staunchest fans were always a little bit more on the outside, the type of people who didn't fit in with society.
It wasn't just music in the Ramones: it was an idea. It was bringing back a whole feel that was missing in rock music - it was a whole push outwards to say something new and different.
Most of the people who are given these Rock n' Roll Hall of Fame things sell millions of records, so it's kind of like a trophy for them. But for the Ramones, it really was a symbolic gesture of, 'Yes, you guys are special and are important to rock n' roll.' So in that sense, the Roll Hall of Fame served its purpose.
The closest things to an influence would be people like Charlie Watts or Al Jackson. But I didn't really listen to drummers; I basically played what I thought was needed for the Ramones.
The Ramones were inspiring a lot of bands that couldn't master their instruments.
The Ramones were not about having a good time. The closest thing probably was maybe Joey and Dee Dee might have had some good times, but it was almost like a work ethic. We were out there to basically to get the fans to see the Ramones.
In the early days, I was living with Dee Dee for a little while, and he was never around then, either. He would always be out. He was kind of an energetic guy who was always on the run.
It was never fun being in the Ramones, which is the saddest thing of all, cause it shoulda been fun. It was probably fun when we played Performance Studio, and maybe some of the early gigs at CBGB's. But the Ramones were the type of group that had a bizarre mindset. Being in the band was so cut off from reality.
Groupies are just very enthusiastic fans, that's all.
The Ramones are the type of group where it took the world, like, 30 years to catch up with them. Because we were kind of breaking new ground, coming up with new ideas and different concepts which kind of blazed a trail for a whole new music scene, really.