We're only here for so long. Be happy, man. You could get hit by a truck tomorrow.
I do find that there's a fine balance between preparation and seeing what happens naturally.
I should become a peach brand ambassador.
I have experienced heartbreak but not in a classical sense.
I have this sense of independent heartbreak, of annulling romances before they get their feet off the ground.
My sister was in ballet growing up. I spent almost the entirety of 7 through 12 backstage at Lincoln Center, just running around, waiting for 'The Nutcracker' to end.
When I try to appreciate something, it feels like my hands are around the moment, trying to squeeze it. It's when you really release yourself of the responsibility to be enjoying things that you actually do.
Ninety-eight per cent of all human communication is non-verbal.
Sometimes, when you act with someone in an intimate capacity, you have to ask vulnerable questions to speed up intimacy - but that's artificial.
Sometimes if I'm in my head before a take, I'll just like to reach out to the closest thing to me - the wall or a sharp edge - and just push into it. That way, my physical experience is totally contemporaneous and not in the clouds.
I don't like to know exactly what I'm going to do in a scene, because the most interesting moments as an audience member are moments of truthful spontaneity.
My dad's French, and I spent my summers in France growing up. So I speak French fluently, and obviously, I speak English because I was raised in New York, and I grew up here.
I've been very encouraged by the nature of the conversations that I've had and by the lack of questions that are tunnel-visioned in their understanding of sexuality and life and love.