Do your best and keep learning - that's what I believe in.
When people leave the theatre, they should remember a line, a character, a sequence or emotion. With entertainment, I want to give meaningful cinema.
My dad never had a bank balance of more than three lakh and was always extremely compassionate towards his producers.
The one thing humans can't control is time, but what if one has the power to do so is the core theme of '24.'
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
Even today, my father watches my films only in the theatre with the general public. And he's very tough. His first call will be to the director and the camera man, and only then will he send me a message.
It is very important for both the parents to spend quality time with their children, at least till they are eight years old, whatever be our social status, or even if grandparents are available to take care of them, and that is the message we try to drive home in 'Pasanga 2.'
I enjoyed working with Vikram Kumar, as he is an amazing director who is full of ideas, and he tells me that he has different compartments in his brain in which he places different story ideas and works on them simultaneously.
I don't watch many films. I just make sure my directors are really good. I will work even with a debut director, but the one-hour narration of the script should be mind-blowing.
Being in Loyola College exposed me to other options and gave me confidence, apart from the freedom to bunk classes. I became a merchandiser and then a garment manufacturer, and interacting with foreign buyers and manufacturing foreign brands in India gave me a high.
How well we understand the kids' world is very important, and I myself am not claiming to be the perfect dad, and from feedbacks from Jo, I understand that more time should be spent with our children.
Sixty per cent of how you act is drawn from memories. And it's about who you are. I am a son, brother, husband, father, and caretaker. You connect with certain instances and emotions.
My father came to Chennai at the age of 16 from a village in Coimbatore. He was an artist and was clear he wanted to do something, so he came to Chennai and joined an art course for eight years before he came into films.
I try and imagine myself in situations and figure out how I'd have reacted and responded to them, and then bring that insight into my acting. Much of acting is about borrowing from your real-life experiences.