The relationship between reader and writer is reciprocal in a way. We co-create each other. We are constantly emerging out of the relationship we have with others.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
There's something about the idea of writing, and thinking about writing as a form of prayer - the way as a writer you call out into the world and throw your words into the world. You're not praying to a god, but you're almost conjuring a reader to arrive. That's what books do: they're an invitation to readers.
For me, writing is a way of thinking. I write in a journal a lot. I'm a very impatient person, so writing and meditation allow me to slow down and watch my mind; they are containers that keep me in place, hold me still.
When I write fiction, I have the illusion of being able to control these fictional worlds and these characters, and to make them say what I want them to say. Of course, the problem is that it is an illusion, and by the end of it you realize that you're not in control of it at all; the characters have taken over, and they're driving the vehicle.
For a writer, you definitely do not want to be in the mainstream. You want to be on the edge because that's where the vantage point is. That's where you can see.
Fiction is an elemental force, which has the power to shape reality in its own image - or images, I should say - because reality, like light, exists not only as a single point or particle, but also as an array of possibilities.
Inspiration comes from everything from the entire world, and it's hard to pinpoint one thing. I can trace one inspiration to the writing of 13th-century Zen master Dogen Zenji, who writes beautifully about time.
People have always heard voices. Sometimes they're called shamans, sometimes they're called mad, and sometimes they're called fiction writers. I always feel lucky that I live in a culture where fiction writing is legal and not seen as pathology.
I am really interested in the way we relate to time. In particular, the way readers and writers talk to each other. Casting your voice out into the future is very beautiful to me.
When I'm writing a novel, which is what I like to write, I get up early, sit zazen, make a pot of green tea. I wear wrist cuffs to keep my wrists warm and minimize irritation from extended contact with the surface of my desk. I sit down and write.
Any independent bookstore that has managed to survive is the best place to do a reading.
There's something about Vonnegut's deadpan irony that I really like. And I like Borges' puzzle structure.
I live in a beautiful part of British Columbia, and I run through the rainforest. I do have to look over my shoulder to check for a cougar or a wolf though, so sometimes it's not the most relaxing.